Each hand can easily cover a spread of a 10th, so in this case they could easily play the first 3 notes in one hand and the next 3 in the other. This shouldnвЂ™t be problematic for an experienced harpist, large arepeggios are common for harp. In either case, I would notate the lower pitches in the bass clef staff using cross-staff stems or beaming. That being said, a) would almost certainly be much quicker. Both would create an arpeggio, but a) would be more up to the performerвЂ™s interpretation. The difference between a) and b) is more of a musical decision than a correct notation decision. In fact, out of all 2,187 possible pedal combinations, the fewest distinct pitch classes possible is 4, and only 42 position are capable of that small of a pitch collection. IвЂ™m assuming that everywhere you said A and E you actually mean Ab and Eb, right? The answer definitely isnвЂ™t c), glissando should only be used for sweeps across all strings, but thereвЂ™s no pedal position that can produce exclusively 2 pitches. Second: Is this kind of glissando/arpeggio even possible to play on an orchestral harp at a tempo of 75 bpm? IвЂ™m still learning what can and cannot be done on this instrument.ДЇinally, if this is either impossible to play on a harp, or if it is possible but neither method pictured above is correct, how would I write this specific sort of glissando/arpeggio, keeping the same starting and ending notes and sticking only to firsts and fifths? While BetvnFIN keeps the music spacing and only updates the font symbols, MTF-Beethoven-Fin. For MTF-Beethoven-Fin also the doc options library was loaded.

I would also like to thank the following musicians and people involved with the various projects in my portfolio. Jez Wells for all his support, encouragement and useful ideas during my studies. 6 Acknowledgements I would like to thank Dr. An optimized document created with Maestro is changed with 'Set Default Music Font' to MTF-Beethoven-Fin and to BetvnFIN. FL00D (2014) 5.1 Video DVD Fixed Media video of FL00D (2014) with 5.1 Audio. My question is twofold: First, which is the correct way of notating this: a) using an arpeggio line/arrow, b) by writing the notes out in a 9:8 tuplet, or c) with a glissando line with some special marking to indicate which notes to use? (Method c) not pictured below.) A screen cam video of the test above in Finale 2014.5/Windows. I want this final note to flow seamlessly int the thrum of the two bass staff notes (Ab2+Eb3). I want to end my piece with the following orchestral harp glissando/arpeggio (not sure which term best applies), starting with Ab2 on the fourth beat, using only the first and fifth note of each octave it travels through (Ab2-Eb3-Ab3-Eb4-Ab4-Eb5-etc.) until the final Ab6.

Finale 2014.5 piano glissando